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A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
Michel, the jovial owner of the only café in a small Normandy town, sees his life turned upside down when his teenage daughter is murdered. The community has his back but soon rumor spreads and Michel is singled out. From the ideal father, he becomes the ideal culprit.
In the 1990s, an immigrant single mother raises her teenage son in the Canadian suburbs, determined to provide a better life for him than the one she left behind in South Korea.
Para proteger seu reino de uma invasão repentina, um poderoso general volta ao campo de batalha ao lado de um órfão da guerra, agora adulto, que sonha com a glória.
Um detetive dedicado investiga a maior organização de tráfico de drogas da Ásia enquanto tenta encontrar o líder da operação com quem tem assuntos pendentes.
Inverno de 1598. Este filme é a história da morte de Yi Sun Shin e sua última batalha naval durante as invasões japonesas da Coréia que aconteceram no Estreito de Noryang.
In the lawless West, The Cowboys, a notorious brotherhood of killers and thieves, reigned over the land with brutal fists and fast guns. Fate had finally caught up with them and now the merciless gang has but a single surviving member. When a deputized gunslinger takes up the call to hunt down the last Cowboy, the chase is on and the bullets fly, and only one of these hardened men can survive.