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Having fully embraced his life in this “world of BL” Mob even went so far as to admit his feelings for his classmate, Kikuchi. Believing that was the end of his story, Mob was happy to settle into his newfound “happily ever after” but in reality, that “end” was really only the beginning. With the sudden appearance of the handsome Igarashi, Mob finds himself dealing with a whole new set of problems. With Igarashi vying for Kikuchi’s affection, Mob finds himself forced to prove that he’s not only the best man for Kikuchi but still the best man to play this world’s main character.
Follow the disappearance of the final Little Egg of the season in strange circumstances, leading Oona and her friends to embark on a race against time to try to save it before a big storm hits Puffin Rock and puts the island in danger.
Bill Elliot is back as Red Ryder in Cheyenne Wildcat. Also back are Ryder's perennial cohorts Little Beaver (Bobby Blake, later Robert Blake of Baretta fame) and the Duchess (Alice Fleming). When not pummeling the bad guys, Ryder is the reluctant apex of a love triangle.
On a desert ranch, Grant Wilson rules a made-up nation with his family as his only subjects. When his son takes the mission too far and his daughter questions everything, Grant fights for control in the face of family, country, and reality.
The sixteenth night of the tournament took place on August 8th, 2023 at Act City Hamamatsu in Naka-ku, Hamamatsu, Shizuoka, Japan.
An empathetic stripper plays therapist to the many damaged clientele and co-workers who frequent the popular Anywhere Bar.
David Jones investigates how 1960s council housing came to be built so poorly that thousands later needed to be demolished.
Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.