Informações
Sinopse:
Duração: 00h09m
Data de lançamento: 28 de janeiro de 2019
Genêros: Documentário.
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A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
She
A centuries-lasting relationship between Ayesha and her oft-reincarnated true love. She, H. Rider Haggard's fanciful novel about the immortal queen of a lost tribe, has been filmed at least 10 times, with seven versions emerging between the years 1910 and 1930.
Jennifer Lopez: Let's Get Loud
Let's Get Loud é uma versão expandida do primeiro especial de TV de Jennifer Lopez, gravado em duas noites esgotadas no Roberto Clemente Stadium em Porto Rico. J. Lo apresenta seus maiores sucessos, além de uma performance especial de Selena, I Could Fall In Love.
Forbidden Zone
A revolutionary militant is killed during the repression of May 1945. His son, who is unaware of the real circumstances of the murder, ends up being attached to the ideal for which his father died.
Goodbye My Friend
Two friends Marzouk and Barakat, work with street vendor Batta on her cart in the melon trade. Al-Gayiar who works in the trade of stolen cars admires them, they work with him till they become his competitors. He decides to get rid of them after they've become a treat.
Finding Uranus
A young "incel" man embarks on a futuristic jerk-off session.
Who's Yer Father?
A small-town private investigator is hired to investigate the sale of black-market lobster in Prince Edward Island along with a scrappy convenience store owner.
The Misanthrope
Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.