Informações
Sinopse:
Duração: 01h30m
Data de lançamento: 01 de maio de 1986
Genêros: Comédia, Crime.
(14 votos)
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Sinopse:
Duração: 01h30m
Data de lançamento: 01 de maio de 1986
Genêros: Comédia, Crime.
Ao preparar uma matéria sobre os maiores desastres do século, o jornalista Tom Merrick (Casper Van Dien) observa na foto a presença da mesma pessoa no mesmo vôo que estava. Percebendo o perigo, Merrick avisa o piloto e consegue impedir um novo desastre. Agora, ele parte na busca desse desconhecido a fim de evitar que novas catástrofes aconteçam!
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
Follows a youngster Kalai and his aspirations of becoming a 'Star' in the Tamil Film Industry. Born in a lower-middle-class family, will Kalai overcome all his struggles to emerge as a Star?
A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.
An experimental short film by Walerian Borowczyk and Jan Lenica.
Documentary about Fidel Castro, covering 40 years of Cuban Revolution. Rare Fidel Castro footage: he appears swimming with a bodyguard, visiting his childhood home and school, playing with his friend Nelson Mandela, meeting kid Elián Gonzalez, and celebrating his birthday with the Buena Vista Social Club group.
A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.