Informações
Sinopse:
Duração: 00h02m
Data de lançamento: 28 de outubro de 2020
Genêros: Ficção científica.
Elenco: Wundersaar,
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Sinopse:
Duração: 00h02m
Data de lançamento: 28 de outubro de 2020
Genêros: Ficção científica.
Elenco: Wundersaar,
SPEED is the result of an artificial intelligence transforming bin footage into something beautiful in order to free the planet from pixel pollution. By video recycling trash shots into video art using the latest algorithm technology, visual art may help to understand our limited resources on earth and how to use them in a respectful manner. Every day we produce millions of clips sharing them on social media without even noticing anymore how much pixel garbage we create. At the same time, we produce every day millions of tons of plastic waste, polluting our environment without even noticing it anymore. SPEED wants to be a symbol of change as we are running out of time.
Gene Autry is assigned to safely transport supplies to a band of settlers. The villains, headed by Ross McLain, intend to bushwhack Autry, grab the supplies, and sell them at high prices to a local mining camp.
Once upon a time, Okuro (Ayako Wakao), a young female racoon, lived poorly with her drunken father. One day after they disguised themselves as parasols, they were wrongly brought to the Racoon Palace, where the young racoon princess (also Ayako Wakao) made a mess of her arranged marriage with the beautiful racoon prince (Raizô Ichikawa). Pretty princess ran away. In order not to spoil the promising marriage, people tried to make use of resemblances between Okuro and the princess. Before long, Okuro and the Prince fell in love with each other...
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
Gatto Larsen e Rubens Barbot são companheiros há mais de 40 anos. Eles acabam de se mudar para um casarão abandonado no centro da cidade, onde ensaiam com sua companhia de dança. O dia-a-dia da dupla envolve a criação artística e a crença nos orixás. Através da dança, eles marcam os territórios do Rio de Janeiro.
Santussa, an orphan who becomes separated from her nurse en route to America to live with her grandfather, is cared for by gangsters who hide their stolen jewels in her ragdoll. In New York, Big Mike, finding Santussa a nuisance, dumps her and the doll in a trash can, where a newsboy finds her. After several adventures, Santussa finds her grandfather, the jewels are handed over to customs officials, and the gang of crooks is reformed.
Em uma cidade de personagens desenhados, um garoto indígena testemunha uma aparição holográfica. É a chegada de uma entidade de materialidade desconhecida. Com uma presença misteriosa e alegorias exóticas, ela passa a encantar os moradores, despertando os seus sentidos mais insanos.
Uma pessoa encontra um óculos de realidade virtual que a leva em uma viagem pela internet brasileira.
Acesso à tecnologia é o novo indicador de desigualdade. Enquanto uns rezam para máquinas, veneram a tecnologia que se torna uma religião, bilhões de pessoas ainda não tem celular ou sequer internet disponível. Aqui vemos corpos negros dialogando com influências, interferências e uma pergunta: Quem controla a tecnologia?
Uma botânica das embalagens de biscoito.