Informações
Sinopse:
Duração: 00h48m
Data de lançamento: 13 de janeiro de 2016
Genêros: Documentário.
Elenco: Hans Henrik Wöhler,
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Sinopse:
Duração: 00h48m
Data de lançamento: 13 de janeiro de 2016
Genêros: Documentário.
Elenco: Hans Henrik Wöhler,
A lonely mirrorball, after its residing place shuts down, embarks on a new journey exploring what is beyond the disco.
In the indigenous communities around the town of Juchitán, the world is not divided simply into males and females. The local Zapotec people have made room for a third category, which they call “muxes” - men who consider themselves women and live in a socially sanctioned limbo between the two genders.
“After So Long // बरसों बाद” is a visual poetry set in Mumbai (India) and voiced by Simha and their parents to symbolise their connection with each other; a walkabout through time and memories. Directed by Varsha Panikar, the film takes inspiration from vintage-home-movie culture to create a contemplative and nostalgic vignette of an artist’s spiritual journey out of the darkness and into the light.
A man wrestles with his personal demons and obsession with a writer's life.
Dizzy is a perennial student living in a small double room in a hostel. He never seems to study, but spends his time sleeping, watching TV, and drinking. Marko, a studious freshman from the country, is assigned to the other bed in the room, and he is soon joined by his young, very pregnant, girlfriend Ana. Meanwhile, Dizzy's girlfriend Marina is trying to get Dizzy to make a commitment, but he would prefer to continue his idle ways.
Two clumsy male police officers must compete with a pair of beautiful special agents in a drug bust.
Conheça o processo criativo por trás do novo musical de Nacho Cano, que conta a história do amor de Malinche e Hernán Cortés e da fusão de duas culturas diferentes.
After decades of growth and ostentation, when every excess was allowed, the fashion industry is currently at a turning point, caught up in the political issues that are reshaping our times: climate change and sustainable development, cultural representation and appropriation, equality, gender issues... Brands and creators are now subject to increasingly sharp public scrutiny. How is the fashion industry facing these challenges and responding to this new paradigm? Based as it is on the concept of planned obsolescence, can fashion survive?