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When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.
In 1592, admiral Yi Sun-sin and his fleet face off against the might of the invading Japanese navy and its formidable warships. As the Korean forces fall into crisis, the admiral resorts to using his secret weapon, the dragon head ships known as geobukseon, in order to change the tide of this epic battle at sea.
Em 2040, uma inteligência artificial mulher em um corpo robótico humanóide é hackeada pelo marido e forçada a sequestrar o filho do vice-presidente dos EUA para executá-lo ao vivo na televisão.
Yoo-jeong, who was in a relationship with Hooni, has a problem. It's sex, For her, sex is always simply an act of uninteresting love. But after hearing the words hurt by her lover. In search of a secret tutor of sex, you will be born again from a sex beginner to a sex scene.
Seung-hye moves to a new house that she has been looking forward to so much with her junior, Na-yeong, but is swindled by a double contract and moves in with a strange man, Soo-cheol, and his senior Hyeon-joon. Armed with powerful male hatred, Seung-hye distanced herself from the men even by dividing the house in half, but her junior, Na-yeong, falls into the hands of Hyeon-joon, a wolf dressed in sheep's clothing. Seung-hye hates men's genitals because male hatred is deeply ingrained in her brain. To this Seung-hye, she suddenly witnessed Soo-cheol's genitals. She tries to forget it, but the penis stuck in her mind and she can't unsee. She concludes that Soo-cheol "fooled her into liking sex" and treats Soo-cheol as a rapist.
The evolution of adult cinema through the most influential films in history, a journey that begins in the 1970s and ends nowadays. An in-depth analysis of the success of the most prestigious erotic films, their impact on industry and society, and their influence on cinema and contemporary culture.
Francisco Camargo é um lavrador de Pirenópolis, no interior de Goiás, que tem um sonho aparentemente impossível: transformar dois de seus nove filhos em uma dupla sertaneja. Ele inicialmente deposita sua esperança no mais velho, Mirosmar, e resolve lhe dar um acordeão quando o menino completa onze anos. Mirosmar e seu irmão Emival, que toca violão, fazem sucesso nas festas da vila onde moram (Capela do Rio do Peixe, distrito de Pirenópolis), mas devido à perda da propriedade onde moravam nos anos 70, toda a família é obrigada a se mudar para Goiânia.
Erin perde o emprego de secretária no FBI por causa do marido, um pequeno golpista. Por não ter emprego, perde a custódia da filha. Começa a trabalhar como stripper e se vê às voltas com o ex-marido trapalhão, um congressista tarado e um detetive que quer ajudá-la.
Até onde você iria pelo desejo? Hana sente que seu relacionamento com Petr está caindo na rotina e passa a compartilhar suas fantasias eróticas. O que começa com palavras logo se transforma em uma aventura sexual intensa que pode sair do controle.
Este é o primeiro filme daquela que viria a ser a mais conhecida série do realizador de culto da comédia erótica norte americana, Russ Meyer, o mestre inconfundível do cinema que nos deu a ver as mais generosamente dotadas mulheres do mundo. Vixen é uma jovem e esplendorosa mulher que vive com o seu marido numa estalagem na floresta. Vixen é uma força da natureza e no convivio diário com a vida selvagem, os seus sentidos estão sempre à beira de explodir. Para Vixen, fazer amor é como respirar e uma alegria que tem que partilhar com toda a gente: o jovem marido, o irmão, o guarda-florestal, um casal em visita, de que nem a mulher escapa... Vixen é uma bela e escultural rapariga, uma mulher insaciavel, que não sabe dizer que não...