Informações
Sinopse:
Duração: 00h23m
Data de lançamento: 07 de março de 2013
Genêros: Ficção científica, Ação, Animação.
(4 votos)
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Sinopse:
Duração: 00h23m
Data de lançamento: 07 de março de 2013
Genêros: Ficção científica, Ação, Animação.
Heroes Preston Stormer, Mark Surge, William Furno, and Natalie Breez are outgunned by Fire Lord and his gang of Fire Villains and Surge makes a sacrifice to save the others. After they escape, Stormer, Furno, and Breez are upgraded to more powerful 2.0 versions with the “upgrade” technique and then go back to save Surge. Fire Lord captures Stormer and tells them of the Fire Villains’ history as mining bots. Corrupted by power, the Fire Villains sought to become more and more powerful. Stormer, Furno, and Breez then capture the Fire Villains with the help of Nathan Evo and Julius Nex.
The heroes of the Hero Factory must defend Antropolis City against mean intruders!
Ermus Daglek, retired Empathtek engineer, commandeers a defunct factory where he creates androids based on persons from his past and recreates a dinner party where he lost the love of his life - until they malfunction and escape.
A bookshop renowned for its rare works is mysteriously and filled with copies of a book entitled 1, which doesn't appear to have a publisher or author. The strange almanac describes what happens to humanity in a minute. A police investigation begins and the bookshop staff are placed in solitary confinement by the Bureau for Paranormal Research. As the investigation progresses, the situation becomes more complex and the book becomes increasingly well-known, raising numerous controversies. Plagued by doubts, the protagonist has to face facts: reality only exists in the imagination of individuals.
A plane containing a highly classified government project crashes outside of a small town in the US. Realizing the level of danger, the government tries to secretly fix the problem. As tensions grow, the situation gets out of control, and civilians from the town find themselves facing their worst nightmare: a genetically enhanced killing machine that doesn't know how to stop.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.
A turbulent day in a life, painted by air.
A portrait of teen escort, 'Coco'.