Informações
Sinopse:
Duração: 00h11m
Data de lançamento: 12 de junho de 1922
Genêros: Documentário.
Elenco:
(12 votos)
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Sinopse:
Duração: 00h11m
Data de lançamento: 12 de junho de 1922
Genêros: Documentário.
Elenco:
An elite A.I.coder faces a collision between the algorithms of the VR worlds he's creating and the archetypal dimensions of the greater Collective Unconscious. He finds solace in a rural farmhouse he rents from a Professor of Psychology who lives next door with a student he mentors on her dreams. Over two days, the dreams of all three impact their daily discourse in unexpected ways unhinging their lives through a vortex of a greater reality. BLUE FIRE spins the controversial A.I. phenomena beyond the consensus narrative of destroying the world VS. saving the world towards a radical vision of the future.
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
Barbie comes home from shopping. She takes her groceries out of the bag and unwraps a little Barbie doll. She fries up the Barbie doll and eats it.
A beautiful blonde joins a small group of men running an oil station in the Sahara Desert and starts the emotions soaring.
FACING SUICIDE combines the poignant personal stories of people impacted by suicide with profiles of scientists at the forefront of research to reveal new insights into one of America’s most pressing mental health crises. Shining a light on this difficult topic can destigmatize suicide while revealing that there is help as well as hope for those at risk and their loved ones.
The further adventures of Takeshi Nanjo, the Young Boss.
A história do 11 de setembro fazendo uso de objetos pessoais doados ao Museu Nacional de História Americana, do Instituto Smithsonian.
Um relato em primeira pessoa da vida e obra do cineasta russo Andrei Tarkovski (1932-86): suas memórias, sua visão da arte e suas reflexões sobre o destino do artista e o significado da existência humana; através de gravações de áudio extremamente raras que permitem uma compreensão completa de sua vida interior e do mundo misterioso por trás de suas complexas imagens cinematográficas.
Um cinegrafista passeia com uma câmera pendurada no ombro, documentando a vida urbana com uma inventividade deslumbrante.