Informações
Sinopse:
Duração: 01h43m
Data de lançamento: 11 de fevereiro de 2022
Genêros: Romance, Drama.
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Sinopse:
Duração: 01h43m
Data de lançamento: 11 de fevereiro de 2022
Genêros: Romance, Drama.
On 12 May 1978, Kate made her debut on Dutch television in a program that has gotten to be known as “De Efteling Special”. The amusement park De Efteling served as a backdrop for six songs of The Kick Inside: Moving, Wuthering Heights, Them Heavy People, Strange Phenomena, The Man With The Child In His Eyes, and The Kick Inside. On 10 May 1978, the Efteling was ready to open the Haunted Castle, the most expensive attraction it had ever constructed (designed by Ton van der Ven), and they wanted to promote it. In April a documentary featuring the Haunted Castle was made by filmmaker Rien van Wijk, who was eager to shoot in the latest attraction before it officially opened. Kate, who just had a big hit with Wuthering Heights, was approached for a television special that would promote both Efteling and her songs. This is the original broadcast of May 12, 1978. The original 16m film is lost; this is a copy of the uMatic version that is the only version left.
Very little is off-limits in comedian Ralphie May’s very first Netflix original stand-up comedy special, Unruly. Filmed live in front of a raucous, fist-pumping crowd at Cobb Energy Performing Arts Centre in Atlanta, May unleashes his hilariously raunchy, no-holds-barred perspective on everything from airline travel and the news media, to Chick-fil-A and everybody being a little racist when they drive.
A home video compilation film of the Star Wars: The Clone Wars episodes "Nightsisters," "Monster," and "Witches of the Mist," cut together. Originally shown at select screenings in 2010 (mainly at conventions), and it was published as an iTunes digital download on December 5, 2011.
A POW in World War II is put to work in a Munich zoo, looking after an Asian elephant. The zoo is bombed by the Americans and the director of the zoo decides it is not safe for his Asian elephant Lucy to remain there. So he sends Brooks to safety with Lucy. They escape and go on the run in order to get to Switzerland.
Twenty-one day is a time period that terminal patients are allowed to stay in hospice. Time is pulsating here according to peculiar inner cycles: getting faster, slower or returning to its ordinary rhythm. We wander through physical and mental spaces: wards, gardens, memories. It is a story of two main protagonists, yet two strangers, for whom the regular talk about death constitutes an integral part of life.